[Unthemed] [Victorian] [Baroque] [Celtic] [French]
[Romantic] [20th
Century] [Bravura] [Nature] |
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| A Victorian Musical Evening |
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In the late nineteenth century, music in the home as a form
of family entertainment was quite popular. Young children
learned to play instruments and families would normally gather
in the parlour in the evening for short recitals played for
and by each other. Sheet music was becoming readily available
making the musical evening even more popular. Many families
had at least a piano and several other instruments in their
music room, any of which could be called upon to accompany
a singer for a cycle of songs. By 1920, the radio and phonograph
had replaced this form of activity. Works presented in this
recital are generally short, very tuneful and immediately
accessible. Above all elegance and grace is represented as
a perfect musical evening in Victorian England.
Suite
de Trois Morceaux
|
B. Godard |
|
|
| Offertoire |
J. Donjon |
| Adagio
Nobile |
J. Donjon |
|
|
| Sonata in Bb major |
L. Beethoven |
|
|
| Salut d'amour, Op. 12 |
E. Elgar |
| Chanson de Matin |
E. Elgar |
|
|
Fantaisie Brillante on themes from
Bizet's Carmen
(Audio Sample) |
F. Borne |
|
|
| Andante Sostenuto |
G. Donizetti |
| Madrigal |
P. Gaubert |
| Schon Rosmarin |
F. Kreisler |
| Liebesfreude |
F. Kreisler |
|
|
| Fantaisie
Pastorale Hongroise (Audio
Sample) |
F. Doppler |
Works in each programme may be added, removed
or substituted. Recitals usually include one solo piano work
of the accompanist's choice (not listed here).
Picture credit: Hush! (The Concert),
James J. Tissot, Manchester City Art Galleries
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