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A Victorian Musical Evening
 

Hush! (The Concert), James J. Tissot, Manchester City Art Galleries

In the late nineteenth century, music in the home as a form of family entertainment was quite popular. Young children learned to play instruments and families would normally gather in the parlour in the evening for short recitals played for and by each other. Sheet music was becoming readily available making the musical evening even more popular. Many families had at least a piano and several other instruments in their music room, any of which could be called upon to accompany a singer for a cycle of songs. By 1920, the radio and phonograph had replaced this form of activity. Works presented in this recital are generally short, very tuneful and immediately accessible. Above all elegance and grace is represented as a perfect musical evening in Victorian England.

Suite de Trois Morceaux
B. Godard
 
Offertoire J. Donjon
Adagio Nobile J. Donjon
 
Sonata in Bb major L. Beethoven
 
Salut d'amour, Op. 12 E. Elgar
Chanson de Matin E. Elgar
 
Fantaisie Brillante on themes from Bizet's Carmen
   (Audio Sample)
F. Borne
 
Andante Sostenuto G. Donizetti
Madrigal P. Gaubert
Schon Rosmarin F. Kreisler
Liebesfreude F. Kreisler
 
Fantaisie Pastorale Hongroise  (Audio Sample) F. Doppler

Works in each programme may be added, removed or substituted. Recitals usually include one solo piano work of the accompanist's choice (not listed here).

Picture credit: Hush! (The Concert), James J. Tissot, Manchester City Art Galleries